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Named after the agile and efficient wasp, Vespid embodies precision and speed. Vespid 2 builds on this compact, high-performance spirit with full optical and handling upgrades. It empowers filmmakers to achieve faster, more accurate, and more expressive workflows.
Vespid 2 features a fully upgraded optical design with a constant T1.9 aperture across the series. Each lens incorporates new-generation self-developed aspherical elements, precision-polished to the highest standards, paired with multi-layer nano coatings and special calibrated coating formulas to minimize reflections and suppress stray light.
The result is outstanding resolution with clean, pure imagery, rich details and textures, delivering pristine imagery with controlled contrast to accommodate diverse creative requirements from commercial to artistic applications. Optimized structure and precision coatings ensure consistent color performance across all focal lengths, enabling seamless integration with all production and post-production workflows for projects ranging from advertising, film, and television productions to individual creative endeavors.
T1.9
Aperture
DPG ASPH
Aspherical Lens
The new Vespid 2 elevates resolution to meet the most exacting demands of in- and out-of-focus rendering. Its redesigned optics suppress chromatic aberration, delivering pure and natural skin tones, while a ten-blade iris with a linear aperture scale produces refined, expressive bokeh for every frame. Enhanced distortion control across the full range—from 18mm ultra-wide to 105mm telephoto—ensures stable, consistent imagery in multi-camera setups or complex shooting environments, minimizing post correction and delivering cohesive precision.
Vespid 2 is the most compact T1.9 Vista Vision prime set on the market, initially available in 18mm, 24mm, 35mm, 50mm, 85mm, and 105mm.
Covering the full spectrum from wide to medium telephoto, it supports sensors up to 46.5mm, including RED V-Raptor VV, ARRI Alexa LF, Sony Venice, and other large-format systems. In many scenarios, it also extends coverage to medium-format systems like the Blackmagic URSA Cine 17K 65 and Fujifilm GFX Eterna, delivering high-resolution performance for full-frame cinema while accommodating select medium-format workflows.
Building on the compact optical design of Vespids, the Vespid 2 lineup integrates floating elements to precisely correct aberration from infinity to minimum focus, ensuring exceptional close-focus performance. With a maximum magnification of 1:5.5–1:8, close-up performance is significantly enhanced, meeting the growing demands of commercials, narrative films, and documentaries.
With a short flange distance of just 27.8mm, the Leica M-mount offers exceptional adaptability. Thypoch adapters cover a wide range of mounts including M-E, L, Z, RF, and ARRI, supporting multi-system use from mirrorless cameras to professional cinema rigs. They easily fit major mirrorless systems like Sony, Canon, Nikon, Panasonic, as well as cinema cameras such as RED and ARRI.
Thypoch adapters fully support all Thypoch M-mount lenses, including the Simera-C, Simera and Eureka series, and are compatible with most M-mount lenses available. This allows classic lenses to integrate seamlessly into modern cinematic workflows. Precision manufacturing allows creators to switch gear freely without compromising image quality or performance, opening up new creative possibilities.
The compact design of the M system makes M mount lenses smaller and lighter than many modern cinema lenses. For example, the Simera-C T1.5 M-mount lenses weigh only 353–472g, and when paired with the Thypoch positive-lock adapter (75–94g), the total setup is far lighter than a typical PL system, which weighs around 1300–1800g (lens + adapter). This represents a weight reduction of over 70%, while maintaining exceptional optical performance. Whether for extended handheld shooting, stabilizers, drones, car rigs, or crane jib arms, this lightweight setup reduces load and improves handling balance and flexibility.
Designed with practical shooting needs in mind, the Thypoch adapter incorporates several thoughtful features:
An active lock secures the lens, supported by a safety lock to ensure stability during intense motion or challenging environments.
Prevents interference with camera buttons; users can adjust its position or swap it for a non-slip module to enhance handling comfort.
Weighing only 75–94 grams (mirrorless mount version), it offers both portability and durability to meet demanding creative challenges.
Before using the Thypoch M-ARRI mount, please note: If you are using an ARRI Amira or ARRI Alexa Mini camera, the equipment must be sent to an official ARRI service center for necessary hardware modifications and internal adaption before use.
The following models require no modification and are fully compatible:
ARRI Alexa 35
ARRI Alexa Mini LF
ARRI Alexa 265
| Compatible lenses | ARRI | M-E/RF/L/Z |
|---|---|---|
Thypoch Simera Series
|
||
Thypoch Eureka 50 F/2
|
||
Thypoch Simera-C
|
||
Cooke SP3
|
||
Leitz M0.8
|
| Colour | Black | ||||
| Lens Mount | M | ||||
| Camera Lens Mount | E| RF |
L |
Z |
ARRI |
|
| Material | AL 6061+SUS 304 | SUS 304 | |||
| Weight (Product) | ≈82g | ≈82g | ≈75g | ≈94g | ≈190g |
