DZOFILM Vespid Prime - Full Frame Cinema Prime Lens
DZOFILM Vespid Prime 21-125mm T2.1 Sample Footage

Cinematic Capturing Beyond Limits

21 | 25 | 35 | 40 | 50 | 75 | 100 | 125 mm T2.1

12 | 16 | Macro 90 mm T2.8 | Vista Vision / Full Frame

DZOFILM Vespid Prime 21-125mm T2.1 Sample Footage

Innovative Design,
Inspiring Visuals

The Vespid Cine Prime Lenses offer superior image quality with a perfect balance of modern and vintage aesthetics. Its APO design produces sharp and accurate images with minimal chromatic aberration.

Gorgeous Bokeh, Aesthetic Appeal

Designed for professional cinematography, Vespid primes excel in optical precision, effectively controlling aberrations for remarkable resolution and true-to-life colors. They create soft and natural bokeh for organic and emotional images with smooth focus transitions, while their internal design minimizes focus breathing. This makes them ideal for everything from subtle focus transitions in dialogue scenes to dynamic documentary work.

Gorgeous Bokeh, Aesthetic Appeal

Designed for professional cinematography, Vespid primes excel in optical precision, effectively controlling aberrations for remarkable resolution and true-to-life colors. They create soft and natural bokeh for organic and emotional images with smooth focus transitions, while their internal design minimizes focus breathing. This makes them ideal for everything from subtle focus transitions in dialogue scenes to dynamic documentary work.

Precise Mechanism, Smooth Operation

As professional cine prime lenses, the lenses are fully manual with 270°of focus rotation, giving you smooth and accurate focus control. The shared position of the focus and iris gears across the lens set allows for fast lens changes with minimal adjustment of lens accessories. The focus and iris rings are smooth to operate, allowing for precise adjustments to focus and exposure.

Precise Mechanism, Smooth Operation

As professional cine prime lenses, the lenses are fully manual with 270°of focus rotation, giving you smooth and accurate focus control. The shared position of the focus and iris gears across the lens set allows for fast lens changes with minimal adjustment of lens accessories. The focus and iris rings are smooth to operate, allowing for precise adjustments to focus and exposure.
DZOFILM Vespid Prime 21-125mm T2.1 Sample Footage

Broad Perspectives
Infinite Creativity

Vespid 12mm offers a diagonal field of view of 126° on Vista Vision format, with a horizontal view of 119° and a vertical view of 81°. While the ultra-wide-angle composition boosts cinematic and dramatic effects, the extremely expansive visual field offers stunningly rich details. This opens up more opportunities for visual storytelling.

Broad Perspectives
Infinite Creativity

Vespid 12mm offers a diagonal field of view of 126° on Vista Vision format, with a horizontal view of 119° and a vertical view of 81°. While the ultra-wide-angle composition boosts cinematic and dramatic effects, the extremely expansive visual field offers stunningly rich details. This opens up more opportunities for visual storytelling.
DZOFILM Vespid Prime 21-125mm T2.1 Sample Footage

Cine-standard Design for Versatile Applications

Comprising 11 focal lengths from ultra-wide to standard and telephoto, the Vespid cine prime series adapts to diverse shooting scenarios. A comprehensive design adhering to industry standards ensures a consistent visual style.

Compatible with Vista Vision large-format sensors, these primes meet the varied demands of independent filmmaking and large-scale productions - Remember, nearly every movie you’ve ever seen is mainly shot with primes.

Cine-standard Design for Versatile Applications

Comprising 11 focal lengths from ultra-wide to standard and telephoto, the Vespid cine prime series adapts to diverse shooting scenarios. A comprehensive design adhering to industry standards ensures a consistent visual style.

Compatible with Vista Vision large-format sensors, these primes meet the varied demands of independent filmmaking and large-scale productions - Remember, nearly every movie you’ve ever seen is mainly shot with primes.

Cine-standard Design for Versatile Applications

Comprising 11 focal lengths from ultra-wide to standard and telephoto, the Vespid cine prime series adapts to diverse shooting scenarios. A comprehensive design adhering to industry standards ensures a consistent visual style.

Compatible with Vista Vision large-format sensors, these primes meet the varied demands of independent filmmaking and large-scale productions - Remember, nearly every movie you’ve ever seen is mainly shot with primes.
  • DZOFILM Vespid Prime 21-125mm T2.1 Sample Footage
  • DZOFILM Vespid Prime 21-125mm T2.1 Sample Footage
  • DZOFILM Vespid Prime 21-125mm T2.1 Sample Footage
  • DZOFILM Vespid Prime 21-125mm T2.1 Sample Footage
  • DZOFILM Vespid Prime 21-125mm T2.1 Sample Footage
  • DZOFILM Vespid Prime 21-125mm T2.1 Sample Footage
  • DZOFILM Vespid Prime 21-125mm T2.1 Sample Footage
  • DZOFILM Vespid Prime 21-125mm T2.1 Sample Footage
  • DZOFILM Vespid Prime 21-125mm T2.1 Sample Footage
DZOFILM Vespid Prime 21-125mm T2.1 Sample Footage
DZOFILM Vespid Prime 21-125mm T2.1 Sample Footage

Compact and Solid Build

These lenses housing are crafted from a durable aluminum alloy, making them robust and reliable in various environments. Their compact, lightweight design makes them ideal for handheld, gimbal, and drone work.
DZOFILM Vespid Prime 21-125mm T2.1 Sample Footage

Inclusive Compatibility, Unlocking Potential

Vespid Prime lenses come with a versatile interchangeable PL and EF mounting system, compatible with Octopus adapters. Additionally, with a 77mm filter thread, they accommodate various filtration options. Including a prime or two in any camera bag ensures you’re ready for any shooting scenario.
KOOP Rear Filter

Standard Set / Artistic Set

Octopus Adapter

PL or EF Mount

DZOFILM Vespid Prime 21-125mm T2.1 Sample Footage

[ Specification ]

Focal Length
12 mm
16 mm
21 mm
25 mm
35 mm
40 mm
50 mm
75 mm
90 mm
100 mm
125 mm

Colour

Black

Mount

PL/ EF

Aperture

T2.8-T22

T2.1-T22

T2.8-T22

T2.1-T22

Image Circle

ø46.5mm (VV/FF)

Optical Construction

15 Elements in 10 Groups

14 Elements in 10 Groups

13 Elements in 9 Groups

12 Elements in 11 Groups

11 Elements in 9 Groups

10 Elements in 9 Groups

9 Elements in 7 Groups

9 Elements in 7 Groups

11 Elements in 9 Groups

9 Elements in 7 Groups

10 Elements in 8 Groups

Flange Distance

52mm (PL)/44mm (EF)

Close Focus
(from sensor plane)

0.2m / 8in

0.25m / 10in

0.28m / 11in

0.3m / 1ft

0.46m/1ft6in

0.6m / 2ft

0.258m / 10.2in

0.7m / 2ft4in

0.79m / 2ft7in

Max.Mag. Ratio

/

1.5X

/

Iris Control

Manual (75°)

Manual (50°)

Manual (68°)

Manual (68°)

Manual (63°)

Manual (68°)

Manual (58°)

Manual (68°)

Manual (83°)

Manual (84°)

Focus Control

Manual (270°)

Manual (300°)

Manual (270°)

Front Dia.

ø80mm/3.15"

Length
(from lens front to flange plane)

72mm / 2.83"

87mm / 3.43"

100mm / 3.94"

87mm / 3.43"

112mm / 4.41"

100mm / 3.94"

Iris Blade

10

16

Filter Size

M77

/

M77

Gear Pitch

0.8 Mod

Material

Aluminum Alloy

Weight (Product)

≈725g

≈930g

≈880g

≈1021g

≈962g

≈905g

≈857g

≈887g

≈839g

≈945g

≈981g

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